Turnover

For Your Friends Booking Presents:

Turnover

Elvis Depressedly, Emma Ruth Rundle

Sun, October 15, 2017

Doors: 7:00 pm / Show: 8:00 pm

Kelsey Theater

Lake Park, FL

$17.00 - $20.00

Turnover
Turnover
Turnover is a fast and to the point, punk band based out of Virginia Beach. Their debut self titled EP consists of 5 songs, totaling at just under fourteen minutes. With honest lyrics, and simple but catchy riffs, the EP is solid beginning to end. Turnover is sure to be one of this year's best upcoming bands.
Elvis Depressedly
Elvis Depressedly
elvis depressedly stares straight into the void and airs their own blunt perceptions about it through their music, but it's never been the band's intentions to bring you down even if it says so right there in their name. Mathew Lee Cothran of Coma Cinema and Delaney Mills -- alongside a revolving cast of friends and collaborators -- have been taking the monoculture's obsession with a dystopian world and turning it into their own wry joke in their homespun quarters of South Carolina from the very beginning. Since 2011, EPs and singles built with a bare necessity of instruments and production tools have recorded a memory box of self-healing guitar-pop laced with an Ambien trance, but with Cothran quitting his day job and resettling in Asheville, NC with Mills after the release of 2013's Holo Pleasures to focus his efforts on their latest full-length new alhambra, an increased currency in time has resulted in elvis depressedly's most definitive listen yet.

In many ways, new alhambra is an auditory homage to what has shaped lead singer Mathew Lee Cothran's life. Its title, as any hardcore pro-wrestling fan will recognize, credits the Philadelphia arena that birthed its most legendary and extreme version of it, and the use of samples from wrestling shows serve as a reference to his upbringing. The album was characteristically made with outdated equipment and limited by only one microphone, with Mike "Dr. Vink" Roberts playing an essential role on bass that enrichens the rockier resonations in comparison to elvis depressedly's previous releases. Cothran and Delaney were constantly on the move during the recording process thanks to their new found career freedom, but none of it takes away from new alhambra fully texturized shift toward brightly melancholic noise-pop inspired by Cothran's favorite unsung heroes such as Waterboys, Prefab Sprout and Emperor X, and in more conventional instances, Elliott Smith and Mac DeMarco.

"There was a lot of uncertainty and I quit a job that I had had for 3 years but hated, and reacreativeadult.phplly kind of put it all on the line to make a record I really wanted to make. It was all a big risk," says Cothran. That much is evident in the album's centerpiece "Rock 'N Roll" where his tongue quips at creativity's value in the face of a greater stability. elvis depressedly may have gone for broke with their lives to make new alhambra the album it is, but their decision to do so proves to be well worth the end result, self-deprecatory pains and all.
Emma Ruth Rundle
Emma Ruth Rundle is a Los Angeles-based accomplished guitarist, singer/songwriter and member of Red Sparowes and Marriages. Her first official solo album, Some Heavy Ocean, presents a collection of impassioned, cathartic songs, exorcising the ghosts of one of life's dark detours. Melancholic, but equally hopeful and accessible, the album wears its emotions on its sleeve. One critic described Rundle's voice as "bone-chilling texture filled to the brim with intent", and a better description is difficult to imagine; when paired with her compelling guitar playing, an enduring spirit takes root.

In 2007, Rundle assembled the self-described folkgaze collective, The Nocturnes, for the purpose of performing her work. The following year, she was drafted into the monolithic post-rock supergroup, Red Sparowes. Touring the world playing the Sparowes' epic brand of instrumental heaviosity sparked a fruitful musical connection with fellow Sparowes guitarist, Greg Burns. When that band commenced a well-deserved hiatus in 2011, she and Burns (on the invitation of Russian Circles) instigated a new group, Marriages, who supported Circles in California and then promptly began recording a debut mini-album, Kitsune (subsequently released by Sargent House in 2012). Meanwhile, Rundle and friends as The Nocturnes reconvened briefly in 2011, issuing a full-length album, Aokigahara, while solo she recorded an album of experimental guitar compositions, tentatively made available online.

What followed was a "dark, difficult time", marked by family problems and personal struggles which, though exhausting emotionally, also incubated Rundle's conviction to use their inherent misery as fuel for expression.And so, in 2013, she literally moved into Sargent House's home studio in Echo Park, sequestering herself for two months while writing and recording what would become Some Heavy Ocean. Itself a taxing experience, the process of creating the album was fraught with problems and setbacks that, naturally, served to fortify its unmistakable air of sadness and desperation. Which isn't to say Some Heavy Ocean isn't equally optimistic or compelling. An apt title if ever one existed, the album swells and crashes, waxes and wanes, ebbing and, yes, flowing - the way all great albums do. The songs twist and sway like kelp forests drunk on its amniotic tide.

The album opens with the brief title track, "Some Heavy Ocean", a nebulous back-looped swirl of elements, like a painter steadily mixing their palette into a swelling cacophany of hues. "Shadows of My Name" arrives promptly, an acoustic hymn propelled by Rundle's breathy, quaking voice, recalling classic artists like Bjork and?Sinead O' Connor at their most vulnerable. Emerging from shadow, the track spills open into a symphonic, reverb-tinted soundscape which, once fully envisioned, quickly vanishes. In its place steps "Your Card the Sun", an enigmatic whisper of a song, the brevity of which renders it de facto introduction to the album's next track, us-against-the-world manifesto "Run Forever". Anchored by an infectiously-memorable chorus, the "Run Forever's" timeless, expansive essence suggests Mazzy Star and late-era Swans, which may or may not be accidental. Utilizing Greg Burns' pedal steel, "Haunted Houses" follows a similar path, Rundle imploring the subject of her convictions, "Don't say it's not what you wanted", her sense of disappointment palpable. Side one closes with "Arms I Know So Well", an emotionally-charged appeal for someone to "deliver me from all the evil I do to myself" which, like so much of the album, simply bows out once its point has been made. Nothing on Some Heavy Ocean overstays its welcome. Decidedly more brooding and less percussive, side two opens with "Oh Sarah" followed by "Savage Saint", two subdued tracks punctuated by the string arrangements and additional vocals of Andrea Calderon (who appears elsewhere on the album, always with evocative effect). "We Are All Ghosts" rattles its cage, a thumping, rhythmic treatise on the human condition, before the bleak soundscape of "Living With the Black Dog" signals the album's imminent demise.

Some Heavy Ocean will be available on CD, LP and Download via Sargent House on May 20th, 2014.
Venue Information:
Kelsey Theater
700 Park Ave. Lake Park, FL 33403
Lake Park, FL, 33403